Variation of 12 Bar Blues in A with a fourth chordĪs always, the same interval of chords could be used in another key. The F#m7 - B7 sequence is called a "2-5 Turnaround" (F# and B is the second and fifth degrees respectively in the E scale). So far we have only used three chords, but here is a fourth chord (ii7) is added in the ninth bar. Variation of 12 Bar Blues in E with a fourth chord A7 and D7 is recommended to play as a barre chord. The E7(#9) chord with short notation: X7678X. Using an altered chord gives a different color. 12 Bar Blues with an altered ninth as V chord You could use this turnaround concept on most examples presented on this page. In the twelfth bar E7 are played for one beat and when B7 the remaining three beats. The two last bars are concerned by a so-called turnaround. Standard 12 Bar Blues in E with turnaround The turnaround could consist of chords or a lick. E7ġ2 Bar Blues progressions with turnaroundĪ turnaround includes in general the two last bars or measures. This structure, that probably is more or less as common as the standard, includes an early chord change to create more variation. The V-chord sounds as if it want to resolve into another chord. The IV-chord shares tones with the I-chord and is somewhat alike.
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